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知产宣传周 | 摄影版权一问一答①（图）
摄影版权 著作权 法律保护
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2023/7/10
问：著作权和版权有区别吗？答：没区别，在我国著作权即指版权。是指自然人、法人或者其他组织对文学、艺术和科学作品享有的财产权利和精神权利的总称。广义的著作权还包括邻接权，我国《著作权法》称之为“与著作权有关的权利”。
王达军摄影作品《山悟》：面向当代的风景（图）
王达军 摄影作品 《山悟》
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2023/7/10
凝视王达军的黑白风景影像，首先要适应的是黑暗，如同世界诞生之初：地是空虚混沌，渊面黑暗；而后，有了光——人类，方始有了观看。
杨凯生的影像故事 | “大眼睛”苏明娟长大了（图）
杨凯生 影像故事 苏明娟
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2023/7/10
在前不久召开的党的二十大期间，不少媒体报道了当年的“大眼睛”姑娘苏明娟参加二十大的消息。在改革开放带来的好日子里，特别是在进入新时代之后，这个当年家境贫困，但渴望读书、期盼学习的小姑娘已经成长起来了。
领土再现与空间实践：1935年民族扫墓节及西北考察中的摄影
1935年 民族扫墓节 西北考察 摄影
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2024/4/9
近代中国由帝制天下向民族国家转变，国家的地理存在也相应地从“帝国疆域”转变为“主权领土”。在此过程中，摄影被用于考察与再现国家领土尤其是边陲之地，成为建构和强化现代民族国家认同的新媒介。1935年邵元冲领衔的代表团执行民族扫墓及西北考察，既是作为国家“政治身体”的延伸在场以重申对领土的统御，也是把西北领土从地理意义上的“地方”激活为实践民族国家观念的“空间”，这种实践借助摄影的定格与传播，把作为抽...
镜头深处的大海— —记摄影家李好（图）
摄影家 李好 渔民
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2021/11/2
李好说，7年10万张照片，只为了拍摄渔民的困境。作家习习则评述说：李好深爱这些他父辈一样的渔民，他的情感都沉沉地压在他的镜头里。他一边怜悯着这样的渔人，一边又怜悯着满海滩打捞回来的鱼儿。鱼和网、人和鱼、船和大海，在他的镜头里对立、冲突，形成一种紧张的关系。他说，无序的打捞开始破坏自然法则和秩序，机器的轰鸣搅扰着大海的平静，索取没有止尽，而海永远在沉默、在低处。
CONNECTING INSIDE AND OUTSIDE THROUGH 360° IMAGERY FOR CLOSE-RANGE PHOTOGRAMMETRY
360° camera Accuracy Automation Low-cost sensor Orientation
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2019/3/1
Metric documentation of buildings requires the connection of different spaces, such as rooms, corridors, floors, and interior and exterior spaces. Images and laser scans have to be oriented and regist...
PHOTOGRAMMETRIC SURVEY WITH FISHEYE LENS FOR THE CHARACTERIZATION OF THE LA SASSA CAVE
Photogrammetry Structure from Motion Cultural Heritage 3D modeling Georeferencing ronze Age Pleistocene
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2019/2/28
The survey of ancient cave can generally be performed by traditional topographic methods that allow also its georeferencing in a global reference frame; some difficulties may arise when there are narr...
《摄影艺术概论》（图）
摄影 艺术概论 摄影理论
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2021/3/15
本书是作者20余年深入摄影实践，立足于摄影本体，着眼于摄影理论研究的系统化成果。作者在参与摄影创作的基础上，策划和组织有学术目标的摄影活动，如由马格南图片社等世界著名摄影机构推荐的近20位著名摄影家与中国100余位摄影家参与的30余场“中外摄影家大PK”、 以世界自然遗产、文化遗产和非物质文化遗产、百姓百年生活为主题内容的中国国际摄影双年展等等，同时主编《中国摄影家》杂志，建立中国重点摄影家的学术...
INDOOR PHOTOGRAMMETRY USING UAVS WITH PROTECTIVE STRUCTURES: ISSUES AND PRECISION TESTS
UAV Collision-Tolerant Drone Photogrammetry 3D Model safety survey BVLOS control
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2018/5/8
Management of disaster scenarios requires applying emergency procedures ensuring maximum safety and protection for field operators. Actual conditions of disaster sites are labelled as “Triple-D: Dull,...
SIMPLE CALIBRATION TECHNIQUES FOR NON-METRIC CAMERAS
non-metric cameras interior orientation lens distortion
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2015/3/6
Architectural documentation is carried out mostly with (analogue or digital) non-metric cameras or video-cameras. Unknown internal
geometry is a main problem in this context, particularly for wide-an...
Photoware Interface Design for Better Photo Management
photoware interface Digital photography Photoware photo management post-task questionnaire study
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2015/1/9
Digital photography has largely replaced traditional film-based photography. Low cost and easy creation of digital files encourage people to take more photographs (photos) than before. Photo managemen...
Hidden
Details The photographer. Photo The camera
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2014/11/18
Most people are busy with work and life, and don’t have time to notice small details. American photographer Diane Arbus (1923-1971) said, “I really believe there are things nobody would see if I didn’...
Ignored Faces
Paint Homeless The streets Watercolor painting Portrait shooting
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2014/11/18
My drawings portray homeless people in Los Angeles. In China, the homeless are neglected by the general population and considered to be a burden on society. I have noticed that most people ignore the ...
Strangely familiar domestic space
Space Object Privacy Nostalgia The lens Shadow Exposure lighting
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2014/11/18
The intimacy of domestic spaces, the objects that people accumulate over time, and the memories associated with these spaces and objects inform my work. The home becomes a concept as well as a space t...
Architectural metamorphosis
Construction transformation Paint The urban environment The camera Postmodern architecture The mirror
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2014/11/18
My thesis, Architectural Metamorphosis, seeks to depict the organic pulse that animates life in an urban environment. My work challenges the ways in which the camera has often functioned with regard t...