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1997年——2006年工尺谱的研究综述
1997年—2006年 工尺谱 研究
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2013/6/20
工尺谱作为一种中国传统音乐文化的传承、辅助手段，自唐以来就一直被广泛运用，到明清时期达到鼎盛，它曾一度在中国音乐史中占有着不可替代的地位，之后随着西方五线谱的传入，简谱等的普遍运用，工尺谱这一古老的记谱法也因自身的局限性而逐渐衰落。但从70、80年代开始，它又进入了音乐研究者们的视线范围内，在1997年之前对其的研究主要是对工尺谱来源、历史及与其他古谱的比较这些方面进行探讨。如马海生的《工尺谱来源...
A Decade of Music Therapy in Korea An Analysis of Korean Graduate Research from 1997 to 2005
Music Therapy Korea Korean Graduate Research
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2008/11/6
The purpose of this study was to investigate the trends of research in music therapy through the analysis of studies from 1997 to 2005, and to make some directions for the future development of music ...
中国版权贸易与合作出版大事记（1898—1997年）
合作出版 中国版权贸易
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2008/5/12
辛广伟
1898～1949年
1898年 辜鸿铭译《论语》英文本由上海别发洋行出版。但这本专为“受过教育的有头脑的英国人”翻译的书的译者是否获酬及如何获酬，则无从知道。
1899年 南洋公学译书院院长张元济与严复就出版严译《原富》达成协议，以2000元买下译稿，书出版后再按两成付版税。这是今天有据可查的最早的现代意义的版权贸易合同。
1910 年 《大清著作权律》颁布实施。...
近二十年香港话剧的发展-(1977-1997)
话剧
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2008/1/3
1977年6月香港话剧团成立，由香港政府辖下的市政局直接资助。这是香港话剧历史上的一个里程碑，不但标志着话剧经过了超过半个世纪的发展逐渐纳入一个专业化的轨道，同时也给予社会人士一个话剧已经"合法化"的信息，从此话剧可以与音乐、舞蹈平排并列，是一种可以登大雅之堂的艺术。此后的二十年间，香港的话剧勃然而兴，参与者的队伍日渐增长，观众的层面也拓展到社会各阶层，使话剧逐渐变成香港市民文化生活的一部分。假如...
转型时代的经济学家与文学家(1997)
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2007/8/29
1．审时度势：不同的态度
陶：都说我们处在一个转型的时代，都说文学家应当关心改革开放与社会转型，都说文学是时代的“晴雨表”应当反映现实，等等。文学家应当关心自己的时代与社会，这是没有问题的；有问题的是如何关心与怎样关心。比如，文学家与经济学家或社会学家对于中国今天的社会转型所持的态度，尤其是他们“审时度势”的角度、出发点、着眼点等有什么样的区别，就是很有意思的问题。1997...
Review of Iggy Roca (ed.) (1997) Derivations and Constraints in Phonology
Iggy Roca Derivations Constraints in Phonology
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2014/10/29
Review of Iggy Roca (ed.) (1997) Derivations and Constraints in Phonology.
Review of David Cope, Techniques of the Contemporary Composer (New York: Schirmer Books, 1997)
composition pedagogy serialism pitch-class sets indeterminacy postmodernism notation algorithmic composition
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2010/4/21
Techniques of the Contemporary Composer represents at once an updating, an elaboration, and a pedagogically-oriented codification of material presented by David Cope in previous books such as New Dire...
The Society for Music Theory celebrates its twentieth anniversary amid the growing diversity of our field. Six of our most distinguished members have been asked to talk about what has interested them ...
Report from the Third Triennial ESCOM Conference in Uppsala, Sweden, 7-12 June, 1997
ESCOM Schenker perception scale theory Curwen cognition
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2010/4/21
The Department of Psychology at the University of Uppsala, Sweden, hosted the Third Triennial conference of the European Society for the Cognitive Sciences of Music (ESCOM), 7-12 June, 1997. Several ...
Review of Daniel Kazez, Rhythm Reading: Elementary Through Advanced Training, 2nd ed. (New York: W.W. Norton and Company, 1997)
pedagogy aural skills rhythm
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2010/4/21
The second edition of Rhythm Reading is a thorough revision that improves upon its predecessor throughout. The book contains a variety of exercises and musical examples, and the author addresses sever...
A Review of J. Kent Williams's Theories and Analyses of Twentieth-Century Music (Fort Worth: Harcourt Brace and Company, 1997)
Williams pedagogy atonality set theory neotonality aleatory minimalism new tonality
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2010/4/21
Lest we arrive at the millennium uninformed, the time to reconcile with the twentieth century's milieu has arrived with a vengeance. In the spring of 1997, I employed J. Kent Williams's Theories and A...