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The collaborative life story, and its close generic relative, testimonial writing, occupy hybrid positions between biography and autobiography, between orality and writing, between literature and va...
This article elucidates the topicality of Marcus Clarke’s serialized novel His Natural Life by establishing Clarke’s debts to Charles Reade.1 Turning attention to Clarke’s “borrow...
Rolf Boldrewood’s bushranging novel Robbery Under Arms is among the handful of Australian texts to have been repeatedly adapted for stage and screen.1 The very popular stage melodrama version b...
The Australian Women’s Weekly has attracted attention in recent years from many different quarters; from historians of gender and consumerism in post-war Australia (see Sheridan); and from stud...
There was a mixed reaction to the publication of Julia Leigh’s The Hunter in 1999. Her novel about an agent who goes in search of the thylacine (Tasmanian Tiger) to harvest its genetic informat...
Nothing evokes the pleasure of the nineteenth-century city as directly as the term “Bohemia”. By the time Marcus Clarke arrived in Melbourne in 1863, the pleasure of Bohemia, merging econo...
In Australian fictions, “the tropics” feature as paradisiacal retreats, mosquito-infested war zones, touristic destinations or sites-of-last-resort on terminal pathways north. But they are also home...
Fairy tales are everywhere in Australian fiction. Some of the most beloved characters in Australian literature are compared by their authors to fairy-tale heroes and heroines. Murray Bail has writte...
For many, the feminists of the “Woman Movement” of the late nineteenth and early twentieth centuries appeared as deadly as a Gorgon. They were “ladies” in hats said Germaine Greer, dismissively (13)...
Archibald Meston’s political appointments and Government-sponsored reports, two of which provided a basis for the ironically entitled Aboriginal Protection Act of 1897, (Queensland Aboriginals and “...
This paper was first given as the Dorothy Green lecture at the Conference of the Association for the Study of Australian Literature at James Cook University, Cairns, in July 2002. That ASAL has chos...
Christina Stead’s novels have been translated into a number of languages, mainly European ones. I know of twelve such translations, five into Italian, three into French, two into German, and one int...
There has been no scholarly attention directed to Christina Stead’s representation in her novels of China and the Chinese.1 Indeed, the poet and scholar Ouyang Yu, translator of The Man Who Loved Ch...
Christina Stead was a Marxist who, at times, publicly endorsed Stalinist views on art. Yet her novels do not conform to the rigid paradigms of socialist realism, and they often criticize Marxist cha...
The passage on p. 279, to which the Board has drawn special attention, appears not only indecent, but totally incredible. (C. A. Quin, Acting Senior Clerk, Department of Trade and Customs, file on ...

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