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Cinema and Its Shadow:Mario Perniola’s Art and Its Shadow
Cinema Shadow Mario Perniola’s Art
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2009/11/25
A number of contemporary ‘Continental’ philosophers of art have recently turned their attention to the relationship between philosophy and cinema. Here we might mention relevant chapters in Alain Badi...
The Thadée Natanson Panels: A Vuillard Decoration for S. Bing's Maison de l'Art Nouveau（图）
The Thadée Natanson Panels S. Bing's Maison de l'Art Nouveau
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2009/11/20
In the context of meeting Bing's conditions for the creation of a harmonious ensemble of model rooms at the Maison de l'Art Nouveau, Vuillard has visualized an homage to an older artist who was finall...
Life Drawing from Ape to Human: Charles Darwin's Theories of Evolution and William Rimmer's Art Anatomy（图）
Charles Darwin's Theories of Evolution William Rimmer's Art Anatomy
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2009/11/20
The impact of Darwin's theories of evolution on the visual arts of nineteenth-century America has been considered primarily in the context of American landscape painting. Citing the year 1859, which m...
"A New Formula for High Art": The Genesis and Reception of Marcello's Pythia（图）
A New Formula for High Art The Genesis and Reception Marcello's Pythia
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2009/11/20
Shortly after the opening of the celebrated Paris Opera, the architect Charles Garnier (1825–1898) published an extraordinarily detailed account of the history of the building, in which he discussed m...
The "Atheism" of Jesus in Russian Art: Representations of Christ by Ivan Kramskoy, Vasily Polenov, and Nikolai Ghe（图）
Russian Art Christ Ivan Kramskoy Vasily Polenov Nikolai Ghe
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2009/11/20
During the second half of the nineteenth century, representations of Christ retained as important a place in Russian art as ever before. However, in the easel paintings of the period (as distinct from...
Anatomy of a Motif: The Fetus in Late 19th-Century Graphic Art（图）
Motif The Fetus Late 19th-Century Graphic Art
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2009/11/20
This essay is an attempt to answer these questions. In it, I will show that the success of the fetus as a motif in Symbolist art was due to its multivalence. Because it was new and untried, (and shock...
Lost and Found: S. Bing's Merchandising of Japonisme and Art Nouveau（图）
Lost and Found S. Bing's Merchandising of Japonisme Art Nouveau
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2009/11/20
From the moment of S. Bing's death, in September 1905, a curtain of obscurity fell on what was known until a renewed interest in art nouveau in the nineteen sixties brought the name Bing back into pro...
Siegfried Bing's Salon de L'Art Nouveau and the Dutch Gallery Arts and Crafts（图）
Siegfried Bing's Salon de L'Art Nouveau the Dutch Gallery Arts and Crafts
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2009/11/20
On the 11th of August 1898 a Dutch gallery opened in The Hague under the English name Arts and Crafts (fig. 1). This was less than three years after Siegfried Bing had transformed his shop in Paris in...
Crisis and Resolution in Vuillard's Search for Art Nouveau Unity in Modern Decoration: Sources for 'The Public Gardens'（图）
Crisis and Resolution Vuillard's Search Art Nouveau Unity Modern Decoration The Public Gardens
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2009/11/20
Vuillard's conception of pictorial space as well as the use of shifting viewpoints in many of his paintings executed between 1890 and 1891 owes much to the art of the ukiyo-e print. In a number of pai...
Introduction: Tastemaking in the Age of Art Nouveau: The Role of Siegfried Bing（图）
Tastemaking Art Nouveau Siegfried Bing
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2009/11/20
With the recent symposium at the Van Gogh Museum (January 13-14, 2005) during the run of the exhibition L'Art Nouveau: The Bing Empire, the importance of Siegfried Bing in framing the debate about wha...
Creating the French Gallery: Ernest Gambart and the Rise of the Commercial Art Gallery in Mid-Victorian London（图）
the French Gallery Ernest Gambart the Commercial Art Gallery Mid-Victorian London
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2009/11/20
In this essay, I examine the establishment of Ernest Gambart's French Gallery in the 1850s and early 1860s in order to investigate the birth of the commercial contemporary art gallery, and the new rol...
The importance of asking the 'right' questions: considering issues of interpretation in art-as-research
interpretation art-as-research
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2009/11/20
This paper takes a 'research/creation' approach to questions of interpretation in art-as-research, exploring the topic from personal, poetic, theoretical, and contextual standpoints, proposing not to ...
Moritz von Schwind's Cinderella (1852–1854): The Beginning of Fairy Tale Painting and Aspects of Marketing Strategies in Germany's Art Scene（图）
Moritz von Schwind's Cinderella Fairy Tale Painting Marketing Strategies Germany's Art Scene
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2009/11/20
When artists in nineteenth-century Germany no longer had the economic security of working permanently either for the Church or the Crown, and thus had to face the challenges of the open art market, th...
Uneasy alliances: art as observation, site, and social innovation
Uneasy alliances art observation
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2009/11/20
Research into Practice 2008 brings into focus important questions about the nature of interpretation as it pertains to the arts. Simply put, how can we best talk about research outputs in the arts? Al...
The more art, the more science: narrative interpretations of art (and life)
art narrative interpretations
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2009/11/20
Narrative as a way of making sense of the world is as old as humanity, story telling a time-honoured method in the toolbox of tacit knowledge. While narrative as an inherently human mode of construct...