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Venerable Style, Form, and the Avant-Garde in Mozart’s Minor Key Piano Sonatas K. 310 and K. 457: Topic and Structure
Venerable Style From the Avant-Garde Mozart’s Minor Key Piano Sonatas K. 310 and K. 457 Topic and Structure
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2014/10/20
Although the topoi and elements of what has been described as the “Venerable Style” (V.S.) are found in many places in Mozart’s solo keyboard sonatas, the obsessive juxtaposition of these elements aga...
Analysis, Philosophy and the Challenge of Critical Theory：Michael Spitzer’s Music as Philosophy：Adorno and Beethoven’s Late Style
Michael Spitzer Philosophy Music
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2009/10/16
Michael Spitzer’s Music as Philosophy: Adorno and Beethoven’s Late Style (Indiana University Press, 2006, ISBN 0-253-34724-6) pursues multiple lines of scholarly enquiry. As a musicological study, the...
Robert O. Gjerdingen, Music in the Galant Style (2007)
Robert O. Gjerdingen Galant Style Music
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2009/10/16
This is one of the most unusual books on music that I have encountered in a long time.
Its design is eye-catching and it is packed with flights of fancy, such as a subordinate
long-title in impecc...
《Style in Singing》（图）
Style in Singing W.E.Haslam
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2009/7/3
Excerpt
but meagre results. But such instances are the exception, not the rule. The lyric artist who is gifted merely with a beautiful voice, over which he has acquired but imperfect control, is at ...
Style-Independent Computer-Assisted Exploratory Analysis of Large Music Collections
Music information retrieval machine learning musicology
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2008/10/30
The first goal of this paper is to
introduce musicologists and music theorists to
the benefits offered by state-of-the-art pattern
recognition techniques. The second goal is to
provide them with a...
Feeling the Style: Vocal Gesture and Musical Expression in Billie Holiday, Bessie Smith, and Louis Armstrong
Vocal Gesture Musical Expression
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2010/3/25
As Billie Holiday described her unique brand of vocal expression, she claimed that she wanted the "style" of Louis Armstrong and the "feeling" of Bessie Smith. These aesthetic and expressive goals can...
In his so-called "sonoristic" period of the early 1960s--represented by pieces such as Threnody, Fluorescences, Polymorphia, and others--Penderecki employed a compositional system whose axiomatic conc...