搜索结果: 1-15 共查到“音乐 pitch”相关记录17条 . 查询时间(0.066 秒)
Facial Expression and Vocal Pitch Height: Evidence of an Intermodal Association
pitch height facial expression aggression intermodal perception
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2010/9/26
Forty-four participants were asked to sing moderate, high, and low
pitches while their faces were photographed. In a two-alternative forced choice task,
independent judges selected the high-pitch fa...
A Comparative Evaluation of Pitch Notations in Turkish Makam Music:Abjad Scale & 24-Tone Pythagorean Tuning – 53 Equal Division of the
Abjad scale Pythagorean tuning Arel-Ezgi-Uzdilek System 53 equal divisions of the octave Octave as a Common Grid
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2008/10/30
In the Middle East, Abjad notation
has been available since the day of Al-Kindi
(9th century). However, Abjad was never used
except as a theoretical tool. A handful of extant
musical examples show...
Timbre-Induced Pitch Deviations of Musical Sounds Müzik Seslerinde Tını Kaynaklı Ses Perdesi Sapmaları
Pitch timbre intonation tuning
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2008/10/30
This article deals with timbreinduced
pitch deviations and their magnitude
in environments designed to resemble those
that performing musicians encounter in their
daily practice. Two experiments w...
Effect of Voice Change on Singing Pitch Accuracy in Young Male Singers
Boys’ changing voice pitch-break voice-break singing-pitch accuracy
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2008/10/30
Background in music performance and pedagogy. During the voice-change process, singing
for adolescent boys may become more difficult and unpredictable. Many boys cease singing
when they reach pubert...
Pitch into Time: Notes on Anthony Braxton’s Lower Register
Anthony Braxton contra-bass saxophone Pitch into Time tuba ensembles
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2008/10/27
"Pitch into TIme" is a brief note on Anthony Braxton's use of extreme low registers such as tuba ensembles and contra-bass saxophone; a more general fascination with the destructive powers of sub-soni...
Principles of Pitch Organization in Scriabin’s Early Post-tonal Period: The Piano Miniatures
Scriabin piano miniatures octatonic scale acoustic scale whole-tone scale pitch substitution genus transformation
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2010/3/24
Scriabin’s post-tonal period, which begins around 1909 with Feuillet d’album, Op. 58, is defined by the subtle and sophisticated exploitation of some special non-diatonic sets and their pitch universe...
A Comparison of Average Pitch Height and Interval Size in Major- and Minor-key Themes: Evidence Consistent with Affect-related Pitch Prosody
music minor key sadness pitch speech prosody
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2010/9/26
An analysis of 9,788 instrumental themes shows that minor-key themes are, on average, slightly lower in pitch than major-key themes. The lower pitch is not merely an artifact of structural differences...
Commentary on "The Processing of Pitch and Scale: An ERP Study of Musicians Trained Outside of the Western Musical System" by Bischoff Renninger, Wilson, and Donchin
pitch scale ERP enculturation
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2010/9/26
Electrophysiological measures of expectancy violation processing by the
brain, such as the P300 component of the event-related potential, have provided insight
into the way in which humans with vary...
The Processing of Pitch and Scale: An ERP Study of Musicians Trained Outside the Western Musical System
music scale ERP event-related potential tuning interval enculturation
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2010/9/26
The current study extends the efforts of Bischoff Renninger, Granot and
Donchin (2003) to non-Western musical systems and focuses specifically on Event-
Related Potential (ERP) responses to scalar d...
Commentary on “The Influence of Pitch Height on the Perception of Submissiveness and Threat in Musical Passages” by David Huron, Daryl Kinney, and Kristin Precoda
expressive size symbolism motivation-structural rules pitch loudness
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2010/9/26
Increasingly, the Arts and Humanities and Science fields are finding
common ground, as illustrated in Huron et al.’s fine paper. My commentary discusses
the origin of the idea that pitch and motivat...
Influence of Pitch Height on the Perception of Submissiveness and Threat in Musical Passages
music prosody pitch height emotion threat aggression timidity
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2010/9/26
Bolinger, Ohala, Morton and others have established that vocal pitch
height is perceived to be associated with social signals of dominance and submissiveness:
higher vocal pitch is associated with s...
An Empirical Method for Comparing Pitch Patterns in Spoken and Musical Melodies: A Comment on J.G.S. Pearl's “Eavesdropping with a Master: Leos Janácek and the Music of Speech.”
speech intonation musical melody perception melodic contour computational models
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2010/9/26
Music and speech both feature structured melodic patterns, yet these
patterns are rarely compared using empirical methods. One reason for this has been a
lack of tools which allow quantitative compa...
Commentary on William Thomson's "Pitch Frames as Melodic Archetypes"
perception tonality modality melody harmony pitch space temporal
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2010/9/26
While the concept of the perceptual “pitch frame” resembles leading
theories of pitch structure in music in some respects, it contains some innovative
elements that are discussed in this commentary....
Pitch Frames as Melodic Archetypes
perception melody melodic harmony tonality form structure
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2010/9/26
In our history we have recognized scales of some variety as keystones to
music’s pitch structure. And yet, empirical studies of perception and archeological
appraisals of human evolution confirm an ...
Mapping the Geometries of Pitch-Class Set Similarity Measures via Multidimensional
pitch-class set theory similarity measures atonal music numerical visualization multidimensional scaling IcVSIM ISIM2 ANGLE RECREL AMEMB2 ATMEMB
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2010/3/25
A numerical visualization technique called multidimensional scaling (MDS) was applied to the matrices of (dis)similarity ratings from six pitch-class set (pcset) similarity functions to see what types...