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For pieces that do not lend themselves to an analysis of form based completely on tonal harmony and thematic material, an analysis based on rhythm and meter can enrich the reading of a piece and prove...
1. Introduction [1.1] Rhythm and meter are difficult to theorize—not only to formalize but also simply to discuss—because of their elusive and variegated nature. For twenty years Christopher Hasty ha...
This is an excerpt from a work-in-progress, portions of which will be read at the 1993 meeting of the Society for Music Perception and Cognition. In order to give an adequate account of "loud" ...

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