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Ensemble Hezar Ava staged a free lunchtime concert of traditional and classical Persian music at UQ St Lucia this week.
Review of William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
analysis classical style Schoenberg Ratz Formenlehre
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2010/3/29
Reviving the Formenlehre tradition as taught by Arnold Schoenberg and Erwin Ratz, Caplin attempts to accommodate the method to a specific but stylistically complex repertory: instrumental works of Hay...
Mode and tempo in Western classical music of the common-practice era: My grandmother was largely right – but no one knows why
expressiveness of music minor mode major mode tempo allegro
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2010/9/26
The work of Post and Huron (2009) is an example of how the
received wisdom in musicology can be fruitfully challenged by simple empirical
procedures – in this case demonstrating a counterintuitive, ...
Western classical music in the minor mode is slower (except in the Romantic period)
music minor key minor mode sadness tempo speech prosody
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2010/9/26
Two studies are reported that examine the relationship between
musical mode and tempo in Western classical music. In the first study, modes were
determined for 331 works bearing the tempo markings l...
A Subtle Novelty: Repetition, transmission and the valorisation of innovation within North Indian Classical Music
North Indian Classical Music
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2008/10/28
This paper investigates the interrelation between two aspects of North Indian classical music that at first might appear to occupy opposite poles of creativity and constraint. The first is the soloist...
Virtual Sheet Music was born with the intent to provide musicians, as well as all music lovers, with the ability to quickly locate any needed sheet music. At a very affordable price, the desired music...
The Contredanse, Classical Finales, and Caplin’s Formal Functions
form Caplin theme period sentence hypermeter dance menuet contredanse Mozart Haydn American Memory Playford Clarchies Bacquoy-Guédon La Cuisse
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2010/3/25
Formal designs employing 2, 4, 8, and 16 measure units were basic to eighteenth-century music for dancing. Although the menuet was more flexible, the contredanse was firmly rooted in this “quadratic s...